英语词源字典 - 在线词源网站

dramatic (adj.)[dramatic 词源字典]: 1580s, from Late Latin dramaticus, from Greek dramatikos "pertaining to plays," from drama (genitive dramatos; see drama). Meaning "full of action and striking display, fit for a drama" is from 1725. Dramatic irony is recorded from 1907. Related: Dramatical; dramatically.[dramatic etymology, dramatic origin, 英语词源]
dream (n.): mid-13c. in the sense "sequence of sensations passing through a sleeping person's mind" (also as a verb), probably related to Old Norse draumr, Danish drøm, Swedish dröm, Old Saxon drom "merriment, noise," Old Frisian dram "dream," Dutch droom, Old High German troum, German traum "dream," perhaps from Proto-Germanic *draugmas "deception, illusion, phantasm" (cognates: Old Saxon bidriogan, Old High German triogan, German trügen "to deceive, delude," Old Norse draugr "ghost, apparition"). Possible cognates outside Germanic are Sanskrit druh- "seek to harm, injure," Avestan druz- "lie, deceive."

But Old English dream meant only "joy, mirth, noisy merriment," also "music." And much study has failed to prove that Old English dream is the root of the modern word for "sleeping vision," despite being identical in spelling. Either the meaning of the word changed dramatically or "vision" was an unrecorded secondary Old English meaning of dream, or there are two separate words here. OED offers this theory: "It seems as if the presence of dream 'joy, mirth, music,' had caused dream 'dream' to be avoided, at least in literature, and swefn, lit. 'sleep,' to be substituted ...."

Words for "sleeping vision" in Old English were mæting and swefn. Old English swefn originally meant "sleep," as did a great many Indo-European "dream" nouns, such as Lithuanian sapnas, Old Church Slavonic sunu, and the Romanic words (French songe, Spanish sueño, Italian sogno all from Latin somnium (from PIE *swep-no-; cognate with Greek hypnos; see somnolence; Old English swefn is from the same root). Dream in the sense of "ideal or aspiration" is from 1931, from earlier sense of "something of dream-like beauty or charm" (1888).
Macbeth: masc. proper name, Gaelic, literally "son of life." The first reference to bad luck associated with Shakespeare's "Macbeth," and to avoidance of naming it, is from 1896, alludes to an incident of 1885, and says the tradition goes back "so far as modern memory can recall." The original superstition seems to have pertained particularly to the witches' scenes, which were played up dramatically in 19c. productions, and especially to Matthew Locke's 17c. music to accompany the witches' song, which was regularly played through the 19th century.
It is strange how the effect of this music has exerted such a long surviving influence on members of the dramatic profession. It is still considered most unlucky to sing, hum, or whistle the witch airs in the theatre except in the ways of business. [Young-Stewart, "The Three Witches," in "The Shakespearean," Sept. 15, 1896]

If you number an actor or actress among your friends, and desire to retain his or her friendship, there are three things you positively must not do, especially if the actor is of the old school. Do not whistle in the theatre, do not look over his shoulder into the glass while he is making up, and do not hum the witch's song from "Macbeth." ... [O]lder actors would almost prefer to lose their salary than go on in "Macbeth" on account of this song. They believe that it casts spells upon the members of the company. ["Some Odd Superstitions of the Stage," "Theatre" magazine, July 1909]
melodramatic (adj.): 1776; from foreign source of melodrama on model of dramatic. Related: Melodramatically.
Scandinavia: 1765, from Late Latin Scandinavia, Skandinovia, a mistake for Scadinavia, from a Germanic source (compare Old English Scedenig, Old Norse Skaney "south end of Sweden"), from Proto-Germanic *skadinaujo "Scadia island," first element of uncertain origin, second element from *aujo "thing on the water," from PIE *akwa- "water" (see aqua-). It might truly have been an island when the word was formed; the coastlines of the Baltic Sea has changed dramatically since the end of the Ice Ages.
takeoff (n.): also take-off, "caricature," colloquial, 1846, from earlier sense of "thing that detracts from something, drawback" (1826), from take (v.) + off (adv.). Meaning "act of becoming airborne" is from 1904 in reference to aircraft; in reference to jumping, it is attested from 1869. Verbal phrase take off "become airborne" is from 1918, in reference to aircraft; figurative use "rise suddenly and dramatically" by 1963.